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<channel>
	<title>kindlingquarterly</title>
	<link>http://kindlingquarterly.com</link>
	<description>kindlingquarterly</description>
	<pubDate>Sat, 18 May 2013 18:13:27 +0000</pubDate>
	<generator>http://kindlingquarterly.com</generator>
	<language>en</language>
	
		
	<item>
		<title>KQ Newsletter</title>
				
		<link>http://kindlingquarterly.com/KQ-Newsletter</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/KQ-Newsletter</comments>

		<pubDate>Sat, 18 May 2013 18:13:27 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
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		<guid isPermaLink="false">5641486</guid>

		<description>
&#60;img src="http://payload167.cargocollective.com/1/7/231954/5641486/newsletter_905.jpg" width="760" height="259" width_o="760" height_o="259" src_o="http://payload167.cargocollective.com/1/7/231954/5641486/newsletter_o.jpg" data-mid="30447360"  border="0" align="left"/&#62;Subscribe to our mailing listEmail Address



</description>
		
		<excerpt> Subscribe to our mailing listEmail Address    </excerpt>

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		<title></title>
				
		<link>http://kindlingquarterly.com/5299259</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/5299259</comments>

		<pubDate>Sat, 30 Mar 2013 20:10:41 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5299259</guid>

		<description>

&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/01_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/01_o.jpg" data-mid="29587565"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/06_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/06_o.jpg" data-mid="29587563"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/12_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/12_o.jpg" data-mid="29587569"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/14_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/14_o.jpg" data-mid="29587571"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/20_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/20_o.jpg" data-mid="29587573"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/21_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/21_o.jpg" data-mid="29587578"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/29_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/29_o.jpg" data-mid="29587582"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/31_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/31_o.jpg" data-mid="29587583"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/04_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/04_o.jpg" data-mid="29587972"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/10_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/10_o.jpg" data-mid="29587976"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/16_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/16_o.jpg" data-mid="29587978"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/28_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/28_o.jpg" data-mid="29587982"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299259/33_905.jpg" width="905" height="509" width_o="1280" height_o="720" src_o="http://payload149.cargocollective.com/1/7/231954/5299259/33_o.jpg" data-mid="29587983"  border="0" align="left"/&#62;

FEATURING 
John Moore, Chris Kaskie, Sam Anderson, Everard Findlay and much, much more. 
6in x 9.5in, 96-pages, perfect bound, color throughout. ISSN TK$14


	+ U.S. Shipping $3.00
	+ CAN Shipping $5.00
	+ INT'L Shipping $12.00
 



&#60;img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1"&#62;

</description>
		
		<excerpt>    FEATURING  John Moore, Chris Kaskie, Sam Anderson, Everard Findlay and much, much more.  6in x 9.5in, 96-pages, perfect bound, color throughout. ISSN TK$14   	+...</excerpt>

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	<item>
		<title>Issue 1 - VIDEO</title>
				
		<link>http://kindlingquarterly.com/Issue-1-VIDEO</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Issue-1-VIDEO</comments>

		<pubDate>Sat, 30 Mar 2013 20:07:40 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4925258</guid>

		<description> Kindling Quarterly from KindlingQuarterly on Vimeo.</description>
		
		<excerpt> Kindling Quarterly from KindlingQuarterly on Vimeo.</excerpt>

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	<item>
		<title>Issue two - Behind the Scenes</title>
				
		<link>http://kindlingquarterly.com/Issue-two-Behind-the-Scenes</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Issue-two-Behind-the-Scenes</comments>

		<pubDate>Sat, 30 Mar 2013 19:40:40 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">5299163</guid>

		<description>&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_08.jpg" width="500" height="337" width_o="500" height_o="337" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_08_o.jpg" data-mid="28507446"  border="0" align="left"/&#62;

Issue two is almost ready to print. Our final photoshoot was a bit of a party with L'Ecole Des Beaux Arts (LDBA) Brooklyn, two amazing dads, four young kids, inspiring moms and a great photography team. More thank yous and credits to come, but here are some grainy black and white behind-the-scenes images.

&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_11.jpg" width="500" height="342" width_o="500" height_o="342" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_11_o.jpg" data-mid="28507432"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_07.jpg" width="500" height="741" width_o="500" height_o="741" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_07_o.jpg" data-mid="28507452"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_06.jpg" width="500" height="337" width_o="500" height_o="337" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_06_o.jpg" data-mid="28507455"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_03.jpg" width="500" height="337" width_o="500" height_o="337" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_03_o.jpg" data-mid="28507458"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_01.jpg" width="500" height="747" width_o="500" height_o="747" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_01_o.jpg" data-mid="28507460"  border="0" align="left"/&#62;&#60;img src="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_09.jpg" width="500" height="467" width_o="500" height_o="467" src_o="http://payload149.cargocollective.com/1/7/231954/5299163/KQ2_photoshoot_09_o.jpg" data-mid="28507436"  border="0" align="left"/&#62;</description>
		
		<excerpt>  Issue two is almost ready to print. Our final photoshoot was a bit of a party with L'Ecole Des Beaux Arts (LDBA) Brooklyn, two amazing dads, four young kids,...</excerpt>

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	</item>
		
		
	<item>
		<title>PARTY! 1/27!</title>
				
		<link>http://kindlingquarterly.com/PARTY-1-27</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/PARTY-1-27</comments>

		<pubDate>Sun, 06 Jan 2013 20:01:02 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4712246</guid>

		<description>&#60;img src="http://payload120.cargocollective.com/1/7/231954/4712246/PARTY-INVITE-forwebsite.jpg" width="612" height="792" width_o="612" height_o="792" src_o="http://payload120.cargocollective.com/1/7/231954/4712246/PARTY-INVITE-forwebsite_o.jpg" data-mid="25131752"  border="0" align="left"/&#62;
We are having a party in Williamsburg Brooklyn for our first issue.

Sunday, January 27, 2013
2:00pm until 5:00pm

Cine-Magic Studios 
420 Kent Ave Williamsburg, Brooklyn 11222

PLEASE RSVP - KindlingQuartely (at) gmail (dot) com

Copies of Kindling Quarterly will be available for sale / Beer lovingly provided by Brooklyn Brewery / Food prepared by Backyard Cooking Company / Kids activities by L’Ecole Des Beaux Arts (LDBA), Brooklyn / kids, moms and all non-dads are welcome.</description>
		
		<excerpt> We are having a party in Williamsburg Brooklyn for our first issue.  Sunday, January 27, 2013 2:00pm until 5:00pm  Cine-Magic Studios  420 Kent Ave Williamsburg,...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Tumblr!</title>
				
		<link>http://kindlingquarterly.com/Tumblr-1</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Tumblr-1</comments>

		<pubDate>Wed, 19 Dec 2012 18:38:36 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4638392</guid>

		<description>&#60;img src="http://payload116.cargocollective.com/1/7/231954/4638392/tumblr_mfr1wsq9bc1s11pu0o1_400.jpeg" width="400" height="534" width_o="400" height_o="534" src_o="http://payload116.cargocollective.com/1/7/231954/4638392/tumblr_mfr1wsq9bc1s11pu0o1_400_o.jpeg" data-mid="24878588"  border="0" align="left"/&#62;
We've got a tumblr, for pics w/o words!

http://kindlingquarterly.tumblr.com






</description>
		
		<excerpt> We've got a tumblr, for pics w/o words!  http://kindlingquarterly.tumblr.com       </excerpt>

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	</item>
		
		
	<item>
		<title>Library of Congress</title>
				
		<link>http://kindlingquarterly.com/Library-of-Congress</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Library-of-Congress</comments>

		<pubDate>Sun, 16 Dec 2012 14:26:39 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4619777</guid>

		<description>&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post.jpg" width="530" height="450" width_o="530" height_o="450" src_o="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post_o.jpg" data-mid="24585298"  border="0" align="left"/&#62;
While doing visual research for Kindling Quarterly we stumbled upon some amazing FSA images over at the Library of Congress. Color photos from the 1940s really give the sense that things change very little in a half a century, We can only imagine these fathers faced challenges we might never see in our lifetime.

&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post2.jpg" width="530" height="450" width_o="530" height_o="450" src_o="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post2_o.jpg" data-mid="24585300"  border="0" align="left"/&#62;&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post3.jpg" width="530" height="450" width_o="530" height_o="450" src_o="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post3_o.jpg" data-mid="24585301"  border="0" align="left"/&#62;&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post4.jpg" width="530" height="450" width_o="530" height_o="450" src_o="http://payload115.cargocollective.com/1/7/231954/4619777/LOC post4_o.jpg" data-mid="24585303"  border="0" align="left"/&#62;

Check out the Library of Congress's photostream on flickr



</description>
		
		<excerpt> While doing visual research for Kindling Quarterly we stumbled upon some amazing FSA images over at the Library of Congress. Color photos from the 1940s really...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

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	</item>
		
		
	<item>
		<title>Dan Funderburgh</title>
				
		<link>http://kindlingquarterly.com/Dan-Funderburgh</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Dan-Funderburgh</comments>

		<pubDate>Sun, 16 Dec 2012 14:23:19 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4619762</guid>

		<description>&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619762/posts-vert2.jpg" width="530" height="700" width_o="530" height_o="700" src_o="http://payload115.cargocollective.com/1/7/231954/4619762/posts-vert2_o.jpg" data-mid="24583807"  border="0" align="left"/&#62;
Dan Funderburgh is the subject of a photo essay by Aaron Wojack and a text essay by Zach Miller in issue one. See Dan's work here.

Photo by Aaron Wojack


</description>
		
		<excerpt> Dan Funderburgh is the subject of a photo essay by Aaron Wojack and a text essay by Zach Miller in issue one. See Dan's work here.  Photo by Aaron Wojack   </excerpt>

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	<item>
		<title></title>
				
		<link>http://kindlingquarterly.com/4619757</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/4619757</comments>

		<pubDate>Sun, 16 Dec 2012 14:21:25 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4619757</guid>

		<description>&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619757/BernardShawpost2_3.jpg" width="530" height="264" width_o="530" height_o="264" src_o="http://payload115.cargocollective.com/1/7/231954/4619757/BernardShawpost2_3_o.jpg" data-mid="24585913"  border="0" align="left"/&#62;

Here's a little 19th Century parenting advice from England, 
read the entire A TREATISE ON PARENTS AND CHILDREN here.


Experienced parents, when children's rights are preached to them, very naturally ask whether children are to be allowed to do what they like. The best reply is to ask whether adults are to be allowed to do what they like. The two cases are the same. The adult who is nasty is not allowed to do what he likes: neither can the child who likes to be nasty. There is no difference in principle between the rights of a child and those of an adult: the difference in their cases is one of circumstance. An adult is not supposed to be punished except by process of law; nor, when he is so punished, is the person whom he has injured allowed to act as judge, jury, and executioner. It is true that employers do act in this way every day to their workpeople; but this is not a justified and intended part of the situation: it is an abuse of Capitalism which nobody defends in principle. As between child and parent or nurse it is not argued about because it is inevitable. You cannot hold an impartial judicial inquiry every time a child misbehaves itself. To allow the child to misbehave without instantly making it unpleasantly conscious of the fact would be to spoil it. The adult has therefore to take action of some sort with nothing but his conscience to shield the child from injustice or unkindness. The action may be a torrent of scolding culminating in a furious smack causing terror and pain, or it may be a remonstrance causing remorse, or it may be a sarcasm causing shame and humiliation, or it may be a sermon causing the child to believe that it is a little reprobate on the road to hell. The child has no defence in any case except the kindness and conscience of the adult; and the adult had better not forget this; for it involves a heavy responsibility.
&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619757/BernardShawpost3.jpg" width="530" height="450" width_o="530" height_o="450" src_o="http://payload115.cargocollective.com/1/7/231954/4619757/BernardShawpost3_o.jpg" data-mid="24585898"  border="0" align="left"/&#62;
And now comes our difficulty. The responsibility, being so heavy, cannot be discharged by persons of feeble character or intelligence. And yet people of high character and intelligence cannot be plagued with the care of children. A child is a restless, noisy little animal, with an insatiable appetite for knowledge, and consequently a maddening persistence in asking questions. If the child is to remain in the room with a highly intelligent and sensitive adult, it must be told, and if necessary forced, to sit still and not speak, which is injurious to its health, unnatural, unjust, and therefore cruel and selfish beyond toleration. Consequently the highly intelligent and sensitive adult hands the child over to a nurserymaid who has no nerves and can therefore stand more noise, but who has also no scruples, and may therefore be very bad company for the child.
Here we have come to the central fact of the question: a fact nobody avows, which is yet the true explanation of the monstrous system of child imprisonment and torture which we disguise under such hypocrisies as education, training, formation of character and the rest of it. This fact is simply that a child is a nuisance to a grown-up person. What is more, the nuisance becomes more and more intolerable as the grown-up person becomes more cultivated, more sensitive, and more deeply engaged in the highest methods of adult work. The child at play is noisy and ought to be noisy: Sir Isaac Newton at work is quiet and ought to be quiet. And the child should spend most of its time at play, whilst the adult should spend most of his time at work. I am not now writing on behalf of persons who coddle themselves into a ridiculous condition of nervous feebleness, and at last imagine themselves unable to work under conditions of bustle which to healthy people are cheerful and stimulating. I am sure that if people had to choose between living where the noise of children never stopped and where it was never heard, all the goodnatured and sound people would prefer the incessant noise to the incessant silence. But that choice is not thrust upon us by the nature of things. There is no reason why children and adults should not see just as much of one another as is good for them, no more and no less. Even at present you are not compelled to choose between sending your child to a boarding school (which means getting rid of it altogether on more or less hypocritical pretences) and keeping it continually at home. Most working folk today either send their children to day schools or turn them out of doors. This solves the problem for the parents. It does not solve it for the children, any more than the tethering of a goat in a field or the chasing of an unlicensed dog into the streets solves it for the goat or the dog; but it shews that in no class are people willing to endure the society of their children, and consequently that it is an error to believe that the family provides children with edifying adult society, or that the family is a social unit. The family is in that, as in so many other respects, a humbug. Old people and young people cannot walk at the same pace without distress and final loss of health to one of the parties. When they are sitting indoors they cannot endure the same degrees of temperature and the same supplies of fresh air. Even if the main factors of noise, restlessness, and inquisitiveness are left out of account, children can stand with indifference sights, sounds, smells, and disorders that would make an adult of fifty utterly miserable; whilst on the other hand such adults find a tranquil happiness in conditions which to children mean unspeakable boredom. And since our system is nevertheless to pack them all into the same house and pretend that they are happy, and that this particular sort of happiness is the foundation of virtue, it is found that in discussing family life we never speak of actual adults or actual children, or of realities of any sort, but always of ideals such as The Home, a Mother's Influence, a Father's Care, Filial Piety, Duty, Affection, Family Life, etc. etc., which are no doubt very comforting phrases, but which beg the question of what a home and a mother's influence and a father's care and so forth really come to in practice. How many hours a week of the time when his children are out of bed does the ordinary bread-winning father spend in the company of his children or even in the same building with them? The home may be a thieves' kitchen, the mother a procuress, the father a violent drunkard; or the mother and father may be fashionable people who see their children three or four times a year during the holidays, and then not oftener than they can help, living meanwhile in daily and intimate contact with their valets and lady's-maids, whose influence and care are often dominant in the household. Affection, as distinguished from simple kindliness, may or may not exist: when it does it either depends on qualities in the parties that would produce it equally if they were of no kin to one another, or it is a more or less morbid survival of the nursing passion; for affection between adults (if they are really adult in mind and not merely grown-up children) and creatures so relatively selfish and cruel as children necessarily are without knowing it or meaning it, cannot be called natural: in fact the evidence shews that it is easier to love the company of a dog than of a commonplace child between the ages of six and the beginnings of controlled maturity; for women who cannot bear to be separated from their pet dogs send their children to boarding schools cheerfully. They may say and even believe that in allowing their children to leave home they are sacrificing themselves for their children's good; but there are very few pet dogs who would not be the better for a month or two spent elsewhere than in a lady's lap or roasting on a drawingroom hearthrug. Besides, to allege that children are better continually away from home is to give up the whole popular sentimental theory of the family; yet the dogs are kept and the children are banished.



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		<excerpt>  Here's a little 19th Century parenting advice from England,  read the entire A TREATISE ON PARENTS AND CHILDREN here.   Experienced parents, when children's...</excerpt>

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		<title>Stephen Keaton</title>
				
		<link>http://kindlingquarterly.com/Stephen-Keaton</link>

		<comments>http://kindlingquarterly.com/following/kindlingquarterly.com/Stephen-Keaton</comments>

		<pubDate>Sun, 16 Dec 2012 14:06:02 +0000</pubDate>

		<dc:creator>kindlingquarterly</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">4619685</guid>

		<description>&#60;img src="http://payload115.cargocollective.com/1/7/231954/4619685/posts-vert.jpg" width="530" height="700" width_o="530" height_o="700" src_o="http://payload115.cargocollective.com/1/7/231954/4619685/posts-vert_o.jpg" data-mid="24583417"  border="0" align="left"/&#62; 
Artist Joseph Zvejnieks illustrated father of three, Mr. Stephen Keaton (played by Michael Gross) from the Amercan television series Family Ties (1982–1989). Not sure if any other image in the world is more "dad".

Check out Joey's artwork.



</description>
		
		<excerpt>  Artist Joseph Zvejnieks illustrated father of three, Mr. Stephen Keaton (played by Michael Gross) from the Amercan television series Family Ties (1982–1989)....</excerpt>

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